Eric Arnal-Burtschy invited me this fall to give some dramaturgical advice for his new creation WHY WE FIGHT. We had a beautiful exchange around this semi-autobiographical monologue in which he intertwines…
Category: Dramaturgy
Using inspiration from his own African background and his reflections on today’s world, Serge Aimé Coulibaly creates Kirina, a narrative about his contemporary and globalized daily reality. Kirinais not…
The word is out: the Festival de Marseille and Ruhrtriennale will present Serge Aimé Coulibaly‘s new creation Kirina. Inspired by a founding West African battle, Kirina is a contemporary epic…
During the coming Les Hivernales Festival, organized by the CDCN of Avignon, two new creations of NaïF Production will have their première. I have been working with the company since the…
The belgian newspaper De Morgen sent a critic to Bára Sigfúsdóttir‘s being‘s first night last Thursday in Campo Nieuwpoort. Jan Dertaelen gave *** to the performance and reads it as a piece…
In 2017 Bára Sigfúsdóttir creates her new performance called being in which she collaborates with two Iranian artists, Masoumeh Jalalieh and SeyedAlireza Mirmohammadi. In this performance the body serves as…
For those who are curious to discover my dramaturgical / outside eye work: it is all over the festivals this summer! You can find Lisi Estaras‘ work in Ostend’s summer festivals.…
Yesterday the festival‘s director Jan Goossens presented the program for the 2017 edition of the festival with this editorial: Kalakuta Republik will be presented on July 9th. Serge Aimé Coulibaly…
Click on the name of the journal to read the full article. La Libre Belgique “In Kalakuta Republik, Serge Aimé Coulibaly magically combines music, dance and the African revolution.“ Guy…
Inspired by Fela Kuti, the Nigerian composer, saxophonist, conductor, political activist and inventor of Afrobeat, the Belgian-Burkinan choreographer Serge Aimé Coulibaly has created a new performance in which politics is…